12/4/2023 0 Comments Broken social scene new albumPausing is a sign of proper reflection and thought-out responses, but to her, it’s a sign of unpreparedness and a new feeling. “Like what you read about in the Victorian books to pass a season by the seaside.”īut as our conversation continues, Feist turns to apologies for taking a while to answer my questions. So when she answers my Skype call from an apartment she rented in California, palm trees towering behind her while the sun blankets the rest of the back patio, she’s as easygoing as expected. Feist’s voice carries the tone of someone who prioritizes patience and kindness without acting too serious. She speaks with a relaxing cadence, the same way she sings on her albums, and there’s an airy quality to her speech, like she could spring from her seat at any moment and begin to twirl playfully around the room. “But for a lot of people it’s just too sad for them.Leslie Feist has a special type of charm. “I look at it as an extremely hopeful, beautiful record,” he says. While Introduce Yerself won rave reviews and several Juno Awards, Drew expresses a little disappointment that more people haven’t heard its tender, honest songs, which take the form of a series of letters to Downie’s friends, family and other figures. Grief is a shadow that can live inside you a long time, and we need to understand that.” “I think we as a society hear bad news and immediately want to say, ‘It’s gonna be OK,'” he says. Broken Social Scene were on the road at the time, leaving little time for Drew to mourn the loss of his friend. He’s been thinking lately about mortality, spurred in part by his close participation in Tragically Hip frontman Gord Downie’s solo album Introduce Yerself, released days after the Canadian rock icon’s death in the fall of 2017. My heart, I was like, ‘I have no idea where this fuckin’ thing is anymore.’ So I thought that’s the way to go.” “ Charlie Spearin was like, ‘Please keep it car.’ But at the time I knew where my car was - it was downstairs in my garage. The original title, he claims, was “Can’t Find My Car,” referencing the 2000 film Dude, Where’s My Car? “It was ‘Car’ right up until the last minute,” Drew says. 2 is “Can’t Find My Heart,” a surging rock anthem that is classic BSS. The highlight of Let’s Try the After Vol. Even if you’re not in the room, or you didn’t participate on it, you’re part of it.” But that’s the great thing about Social Scene. “There’s a lot of people not there - Amy’s not there, Feist’s not there, Emily’s not there. “I don’t need to make Hug of Thunder again,” Drew says. The product of a burst of creativity that followed 2017’s excellent Hug of Thunder, both EPs are full of emotional crescendos and soothing washes of melody that remind you to be grateful that Broken Social Scene are once again a going concern.įor the EPs, it felt less urgent to get everyone on board. 2, the pair of EPs that Broken Social Scene released this year. (“Nothing says ‘What the hell happened to me?’ than a Chardonnay at lunch,” he jokes in a text before we meet.) He’s excited to talk about Let’s Try the After Vol. A stubborn sense of optimism has carried them through two decades of band drama, and it also helps explain why they were at South By Southwest, a music festival better known for introducing young hopefuls than welcoming graying veterans of the road.Ī few days after SXSW, Drew is at a bistro in Manhattan, enjoying a small glass of Chardonnay and an avocado toast. Their best songs feel like they’re about to whirl out of control before they resolve into unforgettable anthems the musicians themselves have fallen apart and come back together too many times to count. It’s an apt phrase for Broken Social Scene, whose greatest gift is finding meaning in the midst of chaos. “It was a clusterfuck, and it was an absolute joy.” “We didn’t have our gear for the first few shows,” says Kevin Drew, the 17-member band’s de facto frontman. Earlier this spring, the ragtag group of Canadian indie-rock lifers and unapologetic idealists known as Broken Social Scene made their way from Toronto to Austin, Texas, to perform eight shows in less than one week.
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